James Donald
Introduction
Hooray for a Mickey Mouse Subject!
PART ONE: MAPPING TRADITIONS
Dana Polan
North America
Ian Aitken
European Film Scholarship
Stephanie Hemelryk Donald and Paola Voci
China
Cinema, Politics and Scholarship
Brian Shoesmith
Our Films, Their Films
Some Speculations on Writing Indian Film History
David Oubiña
Film Research in Argentina
Ismail Xavier
Cinema Studies in Brazil
Carlos A. Gutiérrez
Y Tu Crítica También
The Development of Mexican Film Studies at Home and Abroad
Noel King, Constantine Verevis and Deane Williams
Australia
Bhaskar Sarkar
Postcolonial and Transnational Perspectives
PART TWO: DISCIPLINARY DIALOGUES
Murray Smith
Film and Philosophy
Hamish Ford
Difficult Relations
Film Studies and Continental European Philosophy
Angela Dalle Vacche
Cinema and Art History
Vanessa R. Schwartz
Film and History
Faye Ginsburg
Mass Media, Anthropology and Ethnography
Patrick Fuery
Psychoanalysis and Cinema
Tom O'Regan
The Political Economy of Film
Lynn Spigel
TV's Next Season?
Graeme Turner
Film and Cultural Studies
PART THREE: PARADIGMS IN PERSPECTIVE
Ruth Vasey
The Hollywood Industry Paradigm
Warren Buckland
Formalist Tendencies in Film Studies
Michael O'Pray
The Persistence of the Avant-Garde
Julian Murphet
Film and (as) Modernity
Jane Gaines
Cinema/Ideology/Society
The Political Expectations of Film Theory
George Kouvaros
`We Do Not Die Twice'
Alison Butler
Feminist Perspectives in Film Studies
John Caughie
Authors and Auteurs
Philip Brophy
Where Sound Is
Locating the Absent Aural in Film Theory
Matt Hills
The Question of Genre in Cult Film and Fandom
Between Contract and Discourse
Jostein Gripsrud and Erlend Lavik
Film Audiences
Vijay Mishra
Re-Mapping Bollywood Cinema
Scott McQuire
Film in the Context of Digital Media